The lines create an expressive, dynamic rhythm. These brush strokes are also perceptible as such - this gives the picture certain abstract features. 182).īut Schmidt puts the pure colors edgy and with thin brushstrokes on the canvas. He was an actor, known for Hill Street Blues (1981), The Ray Bradbury Theater (1985) and Moonrunners (1975). Kiel Martin was born on Jin Pittsburgh, Pennsylvania, USA as Kiel Urban Mueller. Feuchtmüller, der Kremser Schmidt, Innsbruck 1989, p. Kiel Martin was born on Jin Pittsburgh, Pennsylvania, United States, is Actor, Soundtrack. He graduated from Hialeah High School in 1962, studied drama at Miami-Dade Junior College (now Miami-Dade Community College), and performed in plays at the. He admired the art of Alessandro Magnasco, of which he owned several paintings and whose works he also knew from Seitenstetten Abbey (R. Although he was never in Italy, he had an extensive art collection. A similar painting style can be found in Austria with Johann Martin Schmidt (Stein a.d. Alessandro Magnasco (Genoa 1667 - 1749), a Genoese by birth, worked in Milan for most of his life and is famous for his expressive application of paint. In fact, such color contrasts can be found on pictures by Northern Italian artists as well as on paintings by Austrian and southern German artists at the transition from the Baroque to the Rococo. Discover Kiel Martin's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. High-contrast colors applied with thin and angular brushstrokes (yellow on the dark blue robe of the kneeling man, light red on the dark red robe of the standing old man, white on the blue robe of Susanna, etc.) give the oil design a strong expressive note. Kiel Martin (Kiel Urban Mueller) was born on 26 July, 1944 in Pittsburgh, Pennsylvania, USA, is an Actor, Soundtrack. While the robes of the two men, as well as the surrounding architectural parts, the trees and the fountain are kept in dark colors, the naked body is designed in a strong contrast to it in very light, almost white tones. To the left and right of her are the two old men. Susanna takes the exact center of the picture. The work can be classified around the middle of the 18th century, possibly shortly before. This composition actually poses some puzzles. – Bassenge, Berlin, May 29th 2015, Lot 6034 (as „Martin Johann Schmidt, called Kremser Schmidt“). Provenance: Christie`s Rome, June 1st 1994, Lot 365 (as „Genoese school“). Grafenwörth/lower Austria 1718 - 1801 Stein at Danube Martin Johann Schmidt, called Kremser Schmidt
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